Contradiction, paradox,
Contradiction, paradox,
Contradiction, paradox,
Contradiction, paradox,
Contradiction, paradox,
anachronism,
irony,
anachronism,
irony,
anachronism,
irony,
anachronism,
irony,
anachronism,
irony,
is unique
is unique
experimentation,
experimentation,
experimentation,
experimentation,
experimentation,
i help refine your ideas
i help refine your ideas
I help refine your ideas
i help refine your ideas
i help refine your ideas
audience.
audience.
along the way
every
all along the way.
along the way
along the way
We take pride in providing our clients with an unforgettable experience from start to finish. From brainstorming sessions to casting calls, from scouting locations to post-production, we handle every aspect of the filmmaking process with care and attention to detail.
Erin Carder
Partner
Discovery
Stage one
Maia Lunde
Director
Composition
stage two
Logan Roy
Partner
Delivery
stage three
impossible
a THREE
without
stage
the help
COLLABORTIVE
of
PROCESS
DIRECTOR
DIRECTOR
PRODUCER
DIRECTOR
CINEMATOGRAPHER
CAMERA OPERATOR
CAMERA OPERATOR
GRIP + ELECTRIC
SOUND DESIGN
SOUND DESIGN
FILM ASSISTANT
SOUND ASSISTANT
MAKE UP & HAIR
COLOUR
STYLING
STYLING ASSISTANT
Louis Meyer
Colin Grey
Hans Room
Katrina Hayden
Zaire Lubin
Justin Torff
Ashlynn Madsen
Zain Philips
Lindsey Gouse
Charlie Donin
Erin Carder
Aspen Dokidis
Clyde Franco
Josef Phillips
Alys Bradley
Tamsin Griffin
discovery
kickoff
We will spend our first meeting discussing the initial concept and brainstorm ideas with regards to creative goals and thematic consistency. In doing so, we will have a foundation from which to discuss the project’s timeline, budget, and overall scope.
Questions like "do we need a live choir for this piece?" or "maybe we should get the London Philharmonic to perform this section?" are all valid questions.
Afterwards, you'll receive a proposal that covers all these details.
raw materials
Once we have a good idea of the general direction of the project, We will begin to develop the ‘color palette’ of the film. This usually includes gathering and discussing reference songs, non-auditory materials, etc., to get an idea of the vibe and feeling we are going for and which elements matter the most.
In this phase, it is important for me to gain a comprehensive understanding of your taste, preferences, and hopefully, intuition.
If you require the deliverable to be more precisely like the reference piece in some way or another (e.g., same instrumentation, arrangement, or mixing) rather than a creative interpretation of it, then that requirement should be made explicit in the project brief. Otherwise, I will default to a creative interpretation of the raw materials.
PROUDLY
nice things some
AWARDED
clients
WITH
said
GRAND PRIZE AWARD
The Last History Book OST
DIRECTORS GUILD OF AMERICA
"I'm surprised at how you can produce so many pieces in a style yet make them so varied while maintaining a high quality of output."
"Such a blessing that I found you "
2023
radiarts, gamedev
OFFICIAL SELECTION
Soundtrack for "I have no mouth but I must scream"
THE FILM SERIES AT CINEGEAR
"this is incredible.
my jaw is absolutely on the floor."
"you've been such a great help and are always an absolute pleasure to work with."
2022
clark elieson, youtuber
OFFICIAL SELECTION
lending you an ear
HBO'S FILM COMPETITION
You don’t have to worry about forgetting what you said during that one meeting a few months ago.
I keep a running record of all our meetings, who said what and when, the changes you requested and the changes that I implement. This way, we will always be on the same page about the agreements we made and where we are headed.
2022
This should go without saying, really.
visual
more questions?
storytellers
get in touch.
